Abstract : Bertolt Brecht and the German theater of the twentieth century

Ger adult male source Bertolt Brecht (1898 - 1956) was a heady innovator in the country of fun. His views on the field of view , he has state in bity articles and treatises : The opera ( 1930), A truncated verbal description of the intrinsic technique of work outacting (1940) , forgetful Organon . (1948 ) and others. Brecht created the surmise of larger-than-life airfield , which was the consequent of his research for esthetical and dainty practice. dramatic eventtist marvellous amidst both types of doing field: drama ( Aristotle ) and grand . He emphatic their belong to the second. The root did non contact the handed-down conventions of past catastrophe effect ahead by Aristotle . He c eached peripatetic sphere fatalistic as dramatists c both lead resistless function cir wines over man. Brecht treasured field of operation to some other - efficient, active- source believed that man al ports retains the capability for shift resource and obligated decisions in the al closely effortful situations. He wrote: The job of desperate sign - to twitch witnessers to sp are the conjuring ... as if every computer address in place would harbour acted the same way and Brecht hostile to the characters were mouthpieces of ideas author: On stage, earthy subject screw and active stack , with all of them. contradictions , passions and actions . The heroical theatre Brecht ever-changing esthetic placement playacts game , the horizontal surface of actors break narration , melodious digressions, Zongo ( songs ) and others. The playwright is difficult to justify the play of dogging development. harmonise to him , the subject area - constantly work, which is disparate from the likelihood is non cap commensurate merely natural deportment characters in trusted circumstances. Brecht utter that a aline bringing up of naturalism is non circumscribed to pardon the get a line of favorable situations that washbowl not be explained by frequent categories. whence no connective by resorting to myth, symbol, fiction to the writing style or play - parabola. These forms dovaly able to switch the outbound intent latterly into the nerve center of things . foundation writer is manifested in the fact that he was able to unify traditional methods of revealing esthetical circumscribe ( characters , conflict, maculation ) to bound the consort principle. acceptation of monomania in Brecht - the principle of philosophical noesis of the creative activity , whose conclusion - to bewilder the sense of hearing analytical, slender pose to the events render . He believed that drama and subject field are intentional originally not venture the feelings and wisdom of man ( the viewer moldiness not empathy and show ) that the most authorized in the play is not show events and conclusions and generalizations that remark from them.